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Landscape

The depiction of natural scenery for its own sake emerged as an independent genre in Western art in the 17th century. Paintings were usually done in the studio from drawings executed outside. For the most part, the color was rendered according to common artistic conventions. The English painter, John Constable, made sketches in oil outdoors. The development of oil paint in tubes made it easier to carry equipment outside and the French Impressionists dedicated themselves to capturing the light and atmosphere of outdoor color. The finest American impressionists, such as William Metcalf, were superior to the French impressionists in transcribing the color of nature on canvas. Gjertson continues the tradition of painting landscapes on location en plein-air as well as painting in the studio from drawings and studies.

Paintings

Stephen Gjertson, August Afternoon, Ann River, 1992
Oil on canvas, 20 x 60
Private collection
Stephen Gjertson, Autumn Oaks, Evening, 1995
Oil on canvas, 14 x 70
Collection of Mr. and Mrs. Ronald Eastman
Stephen Gjertson, Fishin’, Ann River, 1991
Oil on canvas, 20 x 34
Collection of Charles Dougherty
Stephen Gjertson, Hazy Day Sunrise, Lake Superior, 1982
Oil on canvas, 16 x 32
Collection of Mr. and Mrs. Jeffrey Irving
Stephen Gjertson, Minnesota Evening, 1981
Oil on canvas, 18 x 36
Private collection
Stephen Gjertson, Moonrise Over the Meadow, 1989
Oil on canvas, 24 x 60
Collection of J. Peterson
Stephen Gjertson, Morning on the Zumbro, 1987
Oil on canvas, 30 x 60
Collection of Dr. and Mrs. Jeffrey J. Irving
Stephen Gjertson, Morning, Theodore Wirth Park, 1983
Oil on canvas, 23 x 38
Private collection
Stephen Gjertson, Pals, 1991
Oil on canvas, 28 x 50
Collection of Patricia Jobe Pierce
Stephen Gjertson, Passing Shower — Afternoon, Lake Superior, 1982
Oil on canvas, 15 x 40
Collection of Kraig and Rachael Lungstrom
Stephen Gjertson, Passing Storm, Dangerous Shoal — Castle Danger, 1983
Oil on canvas, 30 x 42
Collection of Russel Lee Weiner
Stephen Gjertson, Play Interrupted, 1985
Oil on canvas, 20 x 36
Collection of Annette LeSueur
Stephen Gjertson, September’s End, 2004
Oil on canvas, 25 x 46
Private collection
Stephen Gjertson, Shifting Breezes — Early Evening, Palisade Head, 1992-2000
Oil on canvas, 36 x 37 1/8
Collection of Kirk and Linda Richards
Stephen Gjertson, Sunlight and Shadow — Minnehaha Creek, 1984
Oil on canvas, 24 x 48
Collection of Dave A. Anderson
Stephen Gjertson, The Aerie, 1992
Oil on canvas, 39 x 17
Private collection
Stephen Gjertson, The Thoughts of Youth, 1992
Oil on canvas, 32 x 22
Private collection
Stephen Gjertson, The Wilds of Lake Superior, 1986
Oil on canvas, 31 x 56
Collection of the Alan Anderson family
Stephen Gjertson, Winter Morning — Minnehaha Falls, 1989
Oil on canvas, 26 x 44
Collection of Mr. and Mrs. Lee Sundet

Sketches and Studies

Stephen Gjertson, Foggy Day, Lake Superior, 1982
Oil on panel, 7 5/8 x 12
Tidball Collection
Stephen Gjertson, Foggy Morning, Lake Superior, 1982
Landscape study, oil on panel, 9 1/4 x 16 1/4
Tidball Collection
Stephen Gjertson, Island Study, 1984
Oil on panel, 4 1/2 x 11 1/8
Collection of the artist
Stephen Gjertson, Lichen on Shovel Point, 1991
Oil on canvas panel, 18 x 14
Collection of Kim and Joan Poarch
Stephen Gjertson, North Shore Breakers, 1981
Oil on panel, 6 15/16 x 10 11/16
Collection of Steve and Gail Armes
Stephen Gjertson, North Shore Fog, 1982-83
Oil on panel, 11 x 20
Collection of Remy and Lisa Diederich
Stephen Gjertson, Palisade Head from Shovel Point, 1991
Oil on canvas board, 9 x 12
Collection of Patricia McDonald
Stephen Gjertson, Rocks at the End of Shovel Point, 1993
Oil on canvas board, 11 x 14
Collection of Patricia McDonald